first frame of the video (empty location: the church doorway at…

@Image1 — first frame of the video (empty location: the church doorway at night, warm light spilling onto the ground — use this as the exact opening frame) @Image2 — character reference: the woman in the dark hooded cloak holding a swaddled infant (keep her exact face, dark hood, embroidered hem, the bundle pressed to her chest — do not change her appearance) CRITICAL STYLE: 100% photorealistic cinematic historical footage, shot on ARRI Alexa, cold blue moonlight against warm amber doorway spill, deep shadows, 35mm film grain, anamorphic lenses. Real fabric texture, real skin, real night atmosphere. ZERO illustrated or painted look. The shot begins exactly as @Image1 — the empty doorway, warm light on the ground, the horse and carriage still in the distance. The heavy wooden door eases open further and the woman from @Image2 steps out onto the threshold, pressing the swaddled infant tightly against her chest with both arms. She stops just outside the door. Her eyes cut sharply left down the dirt road — she holds, scanning. Then her gaze swings slowly right toward the carriage and horse — she freezes, watching, breath shallow. Her jaw tightens. She pulls the infant closer and steps back half a step into the shadow of the doorway, pressing her shoulder against the stone wall. Camera: holds a steady wide shot throughout — the full doorway, the woman, the road stretching to the carriage in the background. Subtle handheld breathing motion only. No pan, no push. Sound: night crickets and wind across open ground, distant horse shifting its weight and bridle clinking, the soft creak of the wooden door, the woman's quiet controlled breath, no music — only silence and tension.