first frame reference and locked scene composition. Reproduce it…

@Image1 — first frame reference and locked scene composition. Reproduce it exactly. CHROMA KEY BACKGROUND: The entire upper two-thirds of the frame is solid flat chroma-key green — pure #00FF00, completely uniform. This green area must stay perfectly static for all 15 seconds: zero flicker, zero noise, zero color variation, zero movement. It is a locked flat color plane, not part of the scene. STATIC ELEMENTS — FROZEN FOR THE ENTIRE DURATION: The terminal building, its columns, balcony, "МОСКВА" rooftop sign, flagpoles, antennas, the parked bus, the luggage trailer, and the paved square with its painted lines are all completely frozen. No parallax, no camera drift, no zoom, no breathing, no lighting change, no shadow shift. Treat them as a still painted backdrop. CAMERA: Completely static locked-off shot. Zero camera movement for the entire 15 seconds. No shake, no drift, no zoom, no reframing of any kind. MOTION PRINCIPLE — ONE CONTINUOUS UNBROKEN TAKE: This must feel like a single living photograph — one seamless uninterrupted flow of motion from the first frame to the last, with absolutely no cuts, no dissolves, no transitions, no jump-cuts, no editing of any kind. Pure continuous footage. PEOPLE — MINIMAL MICRO-MOVEMENT ONLY: Each person performs the smallest possible alive motion — just enough to read as a living human, nothing more. Tiny weight shifts from one foot to the other. A very slow, slight turn of the head. A barely perceptible sway of the body. A slow, small adjustment of a bag or coat, then hands return to rest. Two very short half-steps in one direction, a pause, then two very short half-steps back. All movements are extremely slow, small in amplitude, smooth and continuous — oscillating gently back and forth with no sudden reversals, no abrupt pose changes, no sharp direction changes. THE MAN ON THE FAR RIGHT EDGE: The man standing at the far right edge of the frame stays in his exact position for the entire duration. He does not step away from the edge, does not move toward the center. He performs only the most minimal in-place motion: a very slow weight shift, a barely perceptible sway — nothing more. He remains anchored to his spot at the right edge throughout. No person walks toward the frame edges. No one exits or enters the frame. Everyone stays within their original spot on the square. SEAMLESS LOOP: The position and pose of every single person in the last frame must match their position and pose in the first frame exactly, so the loop point is completely invisible. When played on repeat, the motion reads as one endless, gentle, living oscillation. STYLE: Authentic 1970s Soviet film color grade — muted tones, slight warm-cool color cast, soft fine film grain applied only to the scene layer, never to the green background area. Photorealistic period footage. Sound: quiet ambient square atmosphere, faint distant crowd murmur, light wind.