is the visual and mood reference — an antique flintlock pistol…

@image1 is the visual and mood reference — an antique flintlock pistol resting on a polished wooden desk, next to handwritten papers, an inkwell with a quill, and desk ornaments, warm low directional light, shallow depth of field, rich wood tones. Match this exact atmosphere and color grade. @image2 is the exact hand anatomy reference for the prosthetic — match this precise hand position and prosthetic placement exactly: looking at the back of the hand with fingers extended, the outermost, smallest finger on the edge of the hand (the pinky, positioned next to the ring finger, furthest from the thumb) is replaced below the first knuckle with a dark polished wood cylindrical tip. The thumb, index, middle, and ring fingers are entirely normal human flesh with no prosthetic — only the pinky has the wooden tip, exactly as shown in @image2. Multi-shot sequence, 10 seconds total, cuts between shots. Visual style: shot on high-end digital cinema camera, pristine sharp macro detail, rich warm color grading, cinematic contrast, shallow depth of field, premium historical drama production value, no film grain, no vintage texture. Shot 1 (0-4s): Extreme close-up on a wooden desk, matching @image1's composition — an antique flintlock pistol lying still in the foreground, slightly out of focus, next to a stack of handwritten papers (no readable text, abstract pen strokes only) and an ornate glass inkwell. A left hand enters frame from the side, holding a quill pen, the wooden prosthetic tip clearly visible on the pinky only — matching @image2 — and carefully sets the quill down into the inkwell, the nib resting gently against the glass rim. The hand withdraws slowly. Warm low light from an unseen window, long soft shadows across the desk surface. Cut to Shot 2 (4-6s): Close-up on a leather-bound notebook or journal lying open on the desk, handwritten pages visible (no readable text, abstract pen strokes only). A left hand reaches into frame and closes the cover slowly and deliberately, the wooden prosthetic tip visible on the pinky only — matching @image2 — resting against the leather cover, the pages settling with a soft weighted movement, dust motes faintly visible in the low light. The hand rests briefly on the closed cover, then withdraws. Cut to Shot 3 (6-10s): Exterior shot, looking up at the outside of a grand Persian-style embassy building at dusk — arched windows with ornate stone or tiled framing, warm interior light glowing behind the glass. Through one of the windows, a silhouette moves briefly across the light, an unseen hand reaching to the edge of a heavy curtain and slowly drawing it closed, the warm light narrowing to a sliver and then vanishing as the curtain falls shut. No face or identifiable figure visible, only the silhouette and the motion of the curtain. The building's facade remains still and quiet, evening sky deepening behind it. Ambient sound: faint creak of the quill against glass, soft rustle of paper, distant wind, the quiet slide of curtain fabric, no dialogue, no music.