One continuous live-action shot. Exactly two people are present:…

One continuous live-action shot. Exactly two people are present: Kemal and Anna. No one else appears. REFERENCES — @image1 — KEMAL IDENTITY MASTER. Take his exact face, dark wavy hair, short beard, age, athletic build, graphite suit and black shirt. The portrait and full-body view show ONE man, not two. Use identity and wardrobe only; do not copy the card layout, studio background, pose or framing. @image2 — ANNA IDENTITY MASTER. Take her exact face, blonde hair, blue eyes, age, tall model figure and fitted navy servant uniform. The portrait and full-body view show ONE woman, not two. Use identity and wardrobe only; do not copy the card layout, studio background, pose or framing. @image3 — LOCATION MASTER: the Demir mansion garden at night, its architecture, terrace, Bosphorus, warm windows, cool night and garden table. It is not a composition to reproduce. Do not take its camera position, framing or lens. The people in this film come only from @image1 and @image2. Identity priority: @image1 and @image2 override all other visual cues. WORLD / GEOGRAPHY — Night on the stone terrace of the Demir mansion beside the Bosphorus. The illuminated mansion is screen left; the balustrade, water and distant Istanbul lights are screen right. Anna stands beside the small garden table near the white roses, arranging freshly cut flowers in a basket. Kemal enters from the mansion side and walks toward her, then stops at a respectful distance. Anna remains closer to the Bosphorus side. STYLE — Live photorealistic cinema: a contemporary Turkish melodrama, drama and thriller; Istanbul, old-money luxury, natural faces and cinematic lighting. Warm amber light from the mansion shapes their faces against the cool blue night. Restrained contrast, natural skin, real stone, glass, water and moving leaves; intimate romantic tension with a faint undertone of danger. VOICES — Both speak natural, quiet Russian. KEMAL, on camera: "Вы новенькая?" ANNA, on camera: "Да. Анна." KEMAL, on camera: "Кемаль." SHOT — Begin in a medium-wide two-shot from the garden side, with Anna in the right half of frame and the mansion entrance open in depth on the left. Anna gently places one white flower into the basket. Kemal emerges from the warm light, walks two measured steps onto the terrace, notices her and slows. The camera makes a subtle curved push toward them, ending in a balanced medium two-shot; it never crosses their eyeline and never cuts. Kemal stops about two metres from Anna. He looks at her with genuine surprise and curiosity, his confident posture softening: shoulders settle, breath catches briefly, eyes stay on her face. He asks: "Вы новенькая?" Anna turns toward him without lowering her eyes. Her hands rest naturally beside the basket; she is polite but self-possessed. She answers: "Да. Анна." A short charged pause. Kemal gives the smallest restrained smile and says: "Кемаль." Anna holds his gaze for one beat. Neither touches the other. SOUND — Quiet Bosphorus water, distant city ambience, soft leaves in the night breeze, faint footsteps on stone, subtle fabric movement and natural close dialogue. No music. CONSISTENCY — Kemal remains exactly @image1 throughout. Anna remains exactly @image2 throughout. Anna's basket and flowers stay on the table. The mansion remains left, Bosphorus right, warm light from left and cool night from right. Exactly two people throughout. END STATE — A stable medium two-shot: Kemal and Anna face each other across a respectful distance, their first mutual gaze held against the Bosphorus lights. No subtitles, captions, logos, extra people, duplicate bodies, face morphing or extra cuts.