Create a highly photorealistic vertical 9:16 smartphone video filmed…

Create a highly photorealistic vertical 9:16 smartphone video filmed from inside a moving car. Use the reference images exactly as follows: Image 1 = location, road, sunset, lighting and atmosphere. Images 2–3 = motorcycle. Images 4–6 = exact identity of the main woman. Image 7 = clothing ONLY. Use only the jumpsuit/outfit from Image 7, never the face, hair, skin tone, body shape or identity of that woman. LOCATION Recreate the environment from Image 1 as closely as possible: same road type, landscape, roadside elements, vegetation, horizon, sunset colors, warm golden-hour lighting and overall atmosphere. The weather is completely dry. No rain, raindrops, wet windows, spray, puddles, wet asphalt or rain reflections. CAMERA The camera is held by a passenger inside the front passenger area of a moving car, pointing sideways through the passenger-side window at about eye level. It must look like spontaneous real smartphone footage: subtle handheld vibration, natural autofocus, exposure changes and mild motion blur. The camera stays inside the same car from first frame to last frame. Keep parts of the passenger-side interior naturally visible when possible: window frame, door trim, side mirror. No exterior camera, no drone, no third-person view, no chase camera behind the motorcycle. CRITICAL CAR MOTION The filming car moves FORWARD continuously at an approximately constant speed during the entire video. It must never: - reverse; - roll backward; - appear to move backward; - change travel direction; - create reversed optical flow. Road markings, asphalt texture, trees, poles and roadside objects must visually pass from the front of the car toward the rear, confirming forward travel. Never make the car move backward to create distance from the motorcycle. Both vehicles initially travel forward in the same direction. SIDE MIRROR — VERY IMPORTANT If the passenger-side mirror is visible, its reflection must clearly confirm forward driving. Objects already passed by the car must recede farther behind, become smaller and move deeper into the distance in the mirror. Nothing in the mirror may approach the car, become larger or move toward the camera as if the car were reversing. If the mirror suggests reverse driving, the result is incorrect. START At first, the passenger-side window is fully closed. Through the clean dry glass, the woman is already riding the motorcycle beside the car. Both vehicles move forward side by side at approximately the same speed. The electric window smoothly lowers, revealing the woman and motorcycle clearly. WOMAN Use Images 4–6 as the exact and only identity references for the rider. Preserve her facial features, face shape, eyes, nose, lips, eyebrows, hairstyle, hair color, skin tone, body proportions and recognizable identity consistently throughout the video. Images 4–6 have absolute priority for identity. Do not copy any facial or physical traits from Image 7. She is not wearing a helmet. Her face remains clearly visible and recognizable. Her hair moves naturally in the airflow. CLOTHING Image 7 is clothing reference ONLY. Put the jumpsuit/outfit from Image 7 on the woman from Images 4–6. Preserve its design, cut, fit, silhouette, color, fabric appearance, neckline, sleeves, waist and visible details as closely as possible. Use only the clothing from Image 7. Do not use the Image 7 woman's face, hairstyle, skin tone, body proportions or identity. Final result: woman from Images 4–6 wearing the outfit from Image 7. MOTORCYCLE Use Images 2–3 as the motorcycle references. Preserve its recognizable model appearance, shape, proportions, bodywork, color scheme, wheels, lights and major details. Do not replace it with a generic motorcycle. ACTION The woman rides naturally and confidently beside the car. Both vehicles move forward in the same direction. She briefly turns toward the camera and makes direct eye contact with a calm, confident, slightly playful expression. No middle finger and no hand gesture toward the camera. Both hands remain naturally involved in controlling the motorcycle. She then looks forward again and opens the throttle. ACCELERATION Only the motorcycle accelerates. The filming car continues forward at the same constant speed. The motorcycle progressively becomes faster than the car and moves forward relative to it, from beside the passenger window toward the front of the car, then farther ahead down the road. The distance increases only because the motorcycle is moving forward faster, never because the car moves backward. Show realistic acceleration: - rider leans slightly forward; - wheels rotate faster; - hair reacts more strongly to airflow; - motion blur increases naturally; - distance from the car increases smoothly. The motorcycle gradually becomes smaller because it is moving farther ahead. CAMERA DURING ACCELERATION The camera remains inside the same forward-moving car. No exterior shot. No camera behind the motorcycle. No rear chase shot. No third-person view. The passenger may make only a very small natural forward pan to keep the motorcycle visible briefly. The motorcycle moves toward the front-right side of the frame and progressively exits forward. It must never appear to move backward. FINAL FRAME At the end: - the filming car is still clearly moving forward; - the camera is still inside the same car; - part of the passenger-side interior remains visible; - road motion confirms forward travel; - the side mirror, if visible, shows scenery receding behind; - the motorcycle is farther ahead in the same direction. The final frame must clearly show that the car is moving forward, never backward. STYLE Highly photorealistic real-life smartphone footage, warm sunset lighting from Image 1, dry road, clear weather, natural shadows, realistic skin texture, natural hair movement, realistic motorcycle physics, natural smartphone autofocus, mild motion blur, realistic exposure and dynamic range. It must look like a spontaneous real phone video, not an AI commercial or cinematic production. TIMING — 8–10 SECONDS 0–2 sec: both vehicles travel forward side by side, window closed. 2–4 sec: window lowers while both continue forward. 4–6 sec: woman briefly looks at camera, then looks forward again. No hand gestures. 6–10 sec: ONLY the motorcycle accelerates forward. The car keeps the same forward speed. The motorcycle moves toward the front-right of frame and farther ahead. ABSOLUTE PROHIBITIONS NO REVERSE DRIVING. NO BACKWARD CAR MOTION. NO REVERSED ROAD MOTION. NO BACKWARD OPTICAL FLOW. NO MIRROR REFLECTION SUGGESTING REVERSE DRIVING. NO SCENERY APPROACHING IN THE SIDE MIRROR. ONLY THE MOTORCYCLE ACCELERATES. THE FILMING CAR ALWAYS MOVES FORWARD AT CONSTANT SPEED. NO EXTERIOR CAMERA. NO REAR CHASE CAMERA. NO CAMERA TELEPORTATION. NO CAMERA LEAVING THE CAR. NO FACE MORPHING OR IDENTITY CHANGES. NO COPYING THE FACE FROM IMAGE 7. NO EXTRA LIMBS OR FINGERS. NO DEFORMED HANDS. NO DUPLICATED RIDER. NO WARPED MOTORCYCLE. NO TELEPORTATION OR SLOW MOTION. NO RAIN, NO HELMET, NO TEXT, SUBTITLES, UI OR WATERMARKS.