CLIP 1A — GOLDEN EAGLE OVER DAGESTAN Exactly 5 seconds. Vertical…

CLIP 1A — GOLDEN EAGLE OVER DAGESTAN Exactly 5 seconds. Vertical 9:16. One continuous shot, no cuts. REFERENCE @Image1 — Preserve the recognizable ridgelines, steep slopes, valley and distant atmospheric layers. Recreate this landscape as a real three-dimensional environment. Generate one realistic golden eagle independently. CAMERA AND ACTION Follow the eagle from a medium-wide rear three-quarter angle, slightly below and to one side of the bird. Show its back, body, tail and wings in flight against the mountains. Keep the eagle’s head small and turned away from the camera. Its eyes, facial details and beak do not need to be visible. For most of the shot, leave ample space around the bird so the mountain landscape remains prominent. Use the natural perspective of a 40–50 mm spherical cinema lens. A stabilized camera tracks smoothly along the bird’s flight path. The bird moves independently through the air; nearby slopes and distant ridges shift at different apparent speeds, creating real depth and parallax. No digital zoom or movement of a flat background photograph. [00–02.5s] The eagle flies over the mountains and makes one broad, natural wingbeat. The wings rise, push down and return to a glide. Its body and feathers respond believably to the airflow. Keep the medium-wide framing. Hear quiet mountain wind and one brief natural call from this eagle. The call is audible even though its head remains turned away; do not cut to its face or show its beak. [02.5–03.2s] The eagle continues forward. Its wings settle into a glide. The camera and bird approach a crossing path while the mountain ridges remain visible. [03.2–04.65s] During another natural downward wing movement, the eagle passes very close across the camera’s path. One wing physically sweeps between the lens and the mountains. Begin the wing crossing early enough for it to complete. The wing grows across the frame because it passes close to the lens, not because of a zoom. [04.65–05s] The underside of that wing fully covers the entire vertical image. Hold the close feather texture through the last frame, with no visible sky, mountains or gaps. This is the frame for a straight cut to the village in the next clip. No fade to black and no morphing. LIGHT AND FILM IMAGE Natural mountain daylight from high camera-left illuminates both the eagle and the slopes consistently. Stable exposure and white balance, detailed sky and readable shadows beneath the wings. Premium modern 35 mm motion-picture photography with Kodak Vision3 250D-inspired daylight color: restrained earth and mountain-green tones, natural contrast, soft highlight roll-off, detailed neutral shadows, fine irregular organic grain, subtle halation and gentle optical softness. Realistic lens depth and natural 24 fps motion blur. The shot must feel physically photographed, not like an animated still image. AUDIO Only quiet mountain wind, one brief natural eagle call during flight, subtle feather movement and a soft close wing-air sound as the wing passes the lens. The call comes from the eagle in this scene, without showing its mouth. No music, melody, percussion, cinematic score, dramatic swoosh, narration or other voices. Exactly one anatomically correct golden eagle. No visible close-up of its eyes or face, extra birds, duplicated wings, frozen wings, flat photo-pan movement, artificial camera shake, CGI shine, HDR, text or logos, no music