PROJECT: TRESSO.AI — SKY UNDER REPAIR DURATION: 10 SECONDS FORMAT:…

PROJECT: TRESSO.AI — SKY UNDER REPAIR DURATION: 10 SECONDS FORMAT: 9:16, 24 FPS MODE: START FRAME TO END FRAME IMAGE 1: Starting frame. Ordinary Russian courtyard with Soviet apartment buildings, parked cars, autumn trees, wet asphalt and cloudy evening sky. IMAGE 2: Ending frame. The same courtyard with a gigantic gloved hand peeling the sky like wallpaper, revealing enormous industrial machinery behind it. Preserve the exact courtyard, buildings, vehicles, lighting, perspective and camera composition throughout the video. TIMELINE: 0–2 SECONDS: A quiet, ordinary Russian courtyard at dusk. Clouds move slowly. Warm streetlights reflect on wet asphalt. The camera remains almost stationary with subtle natural handheld movement. 2–4 SECONDS: A gigantic construction worker's hand wearing a dirty gray fabric glove enters from the upper-right corner. The hand is hundreds of meters tall. It moves slowly and heavily toward the cloudy sky. 4–7 SECONDS: The giant fingers grab the edge of the sky and begin peeling it downward like old wallpaper. The sky is a real physical flexible sheet. Clouds remain attached to its surface. The material bends, stretches, wrinkles and tears naturally. Behind the peeling sky, enormous industrial machinery gradually appears: steel structures, gigantic mechanical rings, pipes, ventilation systems, cables and distant technical lights. 7–10 SECONDS: The hand continues pulling the sky downward and slightly to the right. Huge folds form in the material. More gigantic machinery becomes visible behind the sky. Realistic shadows and atmospheric depth emphasize its enormous scale. The final frame must match IMAGE 2 as closely as possible. Leave part of the original sky intact for the next scene. CAMERA AND CINEMATOGRAPHY: Professional Sony FX3 full-frame cinema camera aesthetic. Sony G Master 35mm lens. 24 FPS, 180-degree shutter. Natural cinematic motion blur. Subtle organic handheld camera movement. Realistic optical depth of field. Authentic lens imperfections. The image must have the same realistic cinematic atmosphere as expensive documentary footage. LIGHTING: Natural cloudy evening light. Cool blue-gray shadows. Warm streetlight reflections. Soft natural contrast. Realistic lighting interaction between machinery and torn sky. Slightly muted cinematic colors. FILM TEXTURE — EXTREMELY IMPORTANT: Fine organic 35mm film grain. Subtle natural sensor noise. Very light atmospheric haze. Delicate highlight halation. Natural optical softness. Realistic texture and imperfections. Avoid an excessively clean, digitally sharpened or artificial CGI appearance. PHYSICS: The glove has visible rough fabric fibers, stitching and dirt. The fingers physically grip the sky. The sky stretches and peels like thick wallpaper, with believable tension, heavy folds and realistic tearing. The machinery behind it must appear enormous, detailed and physically integrated into the environment. No digital portals, magical effects or pixel transformations. ENVIRONMENT: Keep buildings, cars, trees, streetlights and road completely unchanged. No new people or objects. No camera repositioning. No distorted architecture. SOUND: Natural courtyard ambience, distant traffic, soft wind, deep fabric tearing sounds and low industrial mechanical rumbling. No dialogue, music or voice-over. NEGATIVE: No cartoon style. No glossy CGI. No morphing buildings. No artificial camera movements. No rapid zooms. No extra fingers. No changing location. No disappearing sky. No subtitles or watermarks. FINAL RESULT: An ultra-photorealistic 10-second cinematic transformation from IMAGE 1 to IMAGE 2. A giant construction worker's hand physically peels the sky above an ordinary Russian courtyard, revealing colossal hidden machinery. The footage must look like authentic live-action cinema, with organic film grain, subtle haze, natural lighting and believable physical details.