Create a 10-second photorealistic continuation of "The Sky Is Under…

Create a 10-second photorealistic continuation of "The Sky Is Under Repair", vertical 9:16, 24 fps, one uninterrupted shot. Continue directly from IMAGE 1, the LAST frame of the already finished first scene, not that scene's opening composition. The first frame of this new clip must match IMAGE 1 exactly. Do not repeat the sky-tearing action. TWO INPUT IMAGES ONLY: IMAGE 1 is the exact extracted last frame of the already finished first scene. Use it as the FIRST FRAME and the sole authority for the camera, courtyard geometry, architecture, trees, vehicles, original lighting, glove identity and open machinery. IMAGE 2 is the LAST FRAME: the ball is installed, the same hand has pressed the button and reflected light reaches the courtyard. Use IMAGE 2 for the final action state, disco ball and mounting design only; preserve the background geometry of IMAGE 1 rather than interpolating incidental background differences. There is no intermediate image. Animate the entire retrieval and installation sequence described below between these two frames. The opening view of the earlier video, with an intact cloudy sky, must not be repeated. LOCK THE SHOT: retain the final frame's exact camera position, height, upward viewing angle, focal length, perspective, framing and field of view throughout. No cuts, zoom, dolly, pan, tilt, camera shake, reframing or focus transition. Preserve the same weathered residential courtyard at dim gray-and-amber dusk: the central apartment block and building at right, exact roof slopes, windows, balconies, doors, antenna, warm entrance lamp, foreground trees and every branch, the silver SUV at lower left, the adjacent silver sedan, the dark cars and van against the central building, the dark sedan on the right, and the partially cropped cars at both edges. Keep all parked vehicles and scenery stationary. Preserve every puddle, wet-asphalt detail and original window-light state. Do not add people, cars, bins or buildings. Maintain the huge circular industrial mechanism behind the torn cloud-covered sky sheet. Preserve its existing metal ring, pipes, catwalks, beams, cables and amber work lamps. Keep the opening exposed throughout. The peeled sky sheet stays folded along its existing diagonal edge; it does not heal, disappear or close. Use exactly the same single gigantic dirty gray-beige fabric work glove, with its coarse weave, worn seams, stains, thick finger pads, proportions and physical scale. The hand remains attached to the same forearm entering from the upper right. Natural depth changes are allowed as it reaches into the mechanism, but no identity change, extra hand, bare fingers or glove redesign. CHOREOGRAPHY, continuous and in this exact order: 0.0-0.6 s: from the identical starting pose, the glove gently releases the lifted sky-sheet edge. The stiff folded sheet remains caught at its existing upper-right attachment point, with only a small settling motion, leaving the circular mechanism visible. 0.6-2.4 s: the SAME hand reaches through the existing opening and deeper into the mechanism. The wrist turns naturally; the fingers disappear partly behind the inner machinery as they grasp an object stored inside. No second hand appears. 2.4-4.3 s: the hand draws out ONE silver mirrored disco ball from inside the machinery. Reveal it progressively from behind the ring. The thumb and curled fingers visibly grip and support it; it never materializes, floats or passes through solid parts. Match the disco ball in IMAGE 2: a true sphere about one quarter of the frame width, covered in small square silver mirror tiles, with compact polar connectors. The ball remains unpowered and still. No moving courtyard light pattern yet. 4.3-6.8 s: the hand brings the ball a short distance left into the central mounting axis inside the existing metal ring, matching IMAGE 2. Seat its lower connector into the lower bearing, then engage its upper connector with the compact motor spindle. Close the small retaining catches. Both supports visibly connect to the ring. The glove supports the weight until the ball is secured, then releases it. Preserve the sphere's size, shape and mirror-tile layout; no melting, morphing, duplication or penetration. The ball stays above the roofs and clear of the trees. 6.8-7.6 s: the same gloved hand moves to the small control box on the right side of the ring. One index finger visibly depresses the button once. Make the causal order clear: secure the ball first, press the button second, activate the motor and reflections third. 7.6-10.0 s: the installed ball smoothly begins a SLOW rotation around its vertical spindle, only about 15-25 degrees over these final seconds. The mounting yoke and supports stay stationary. The hand remains near the pressed button as in IMAGE 2, leaving the ball unobstructed. Existing mechanism lights illuminate the rotating mirror tiles, producing restrained silver and warm-white glints, with occasional tiny prismatic edges. End with the ball securely mounted and slowly turning, the machinery exposed and the original courtyard fully visible. REFLECTIONS: after the button press, show clearly visible moving mirror-facet light patches on ALL of these actual surfaces: wet asphalt and puddles, parked car bodies and windshields, apartment windows, and the central and right building facades. Light patches sweep slowly in sync with the sphere's rotation, distort correctly over curved cars and wet surfaces, and respect occlusion by branches and buildings. They are projected reflections on surfaces, not floating sparkles. Retain original facade textures and window lights beneath the reflections. Keep the dim dusk exposure and the original cinematic color grade; no day-to-night change, rainbow wash, lasers, strobe, nightclub scenery or glowing moon. The ball reflects light; its surface is not a self-emissive lamp. AUDIO: absolutely NO MUSIC, soundtrack, melody, rhythm, beat, singing or speech. If audio is generated, use only quiet courtyard air, soft fabric movement, a restrained metal latch click, one button click and a low motor hum. No musical sound effect when the ball starts. Music will be added separately later. No subtitles, titles, logos, watermark, transition, cutaway, time jump or slow-motion interruption. Preserve the original shot's photographic texture and believable contact shadows. Prioritize exact source-camera and courtyard continuity, the same glove, clear physical retrieval and installation, one button press, slow rotation and surface-bound reflections.