Reference map: @image1 = IDENTITY + COSTUME MASTER · @audio1 = AUDIO…

Reference map: @image1 = IDENTITY + COSTUME MASTER · @audio1 = AUDIO MASTER (voice only) @image1 defines the man's face, head shape, curly light-brown hair, build, and his cream canvas garment with brown leather buckle straps and its worn fabric texture. Do not carry over the grey studio backdrop, the flat even studio light, the frontal ID pose, or the grid layout. @audio1 defines the speaking voice: its timbre, intonation, unhurried tempo, breath and speech character. Do not carry over the recording room acoustics or any background noise. No other material is used in this task. Single continuous shot, 20 seconds, one man, winter night, dark room, firelight. SPEECH — the spine of the shot, and it fills almost the entire clip. He recites one poem in Russian at the tempo and intonation of @audio1. The first word lands within the first second; the last word lands close to the end. Eight lines, in this exact order, each line spoken in full, nothing skipped, nothing reordered, nothing repeated, nothing invented, and no silent gap anywhere between the first word and the last: "Уж поздний час, и снег ложится, / и город спит, укрыт золой. / А мне опять всю ночь не спится, / и тень качается со мной. / Я знаю — молодость уходит / и не окликнет никого. / Но кто-то всё ещё приходит / и ждёт у сердца моего." The slash marks a verse line break: a short breath on the exhale, never a stop, never a pause in the voice. STAGING — Foreground: the edge of a fireplace burning in the lower left, far out of focus, live flame tongues crossing frame. Mid ground: the man seated low in an armchair, torso three-quarters, face turned toward the fire on screen left, sleeves crossed over his chest and fastened by the leather strap so his hands stay hidden and never enter frame. Background: a dark room, a window behind him on the right, slow falling snow beyond the glass, faint cold city glow. PERFORMANCE — the acting rides on top of the speech and never interrupts it. Beats are counted in verse lines, not in seconds. Opening — He is already breathing to speak as the shot begins. Eyes down in the fire, flame ref