PRODUCT IDENTITY ONLY. Exact PRODUCT: shape/proportions/real…

@Image1=PRODUCT IDENTITY ONLY. Exact PRODUCT: shape/proportions/real scale/colors/materials/surface details/packaging/branding/logo/typography. Ignore reference background/light/composition/camera; reconstruct naturally in scene. SAME physical object throughout: rear seat→inspection→grab→removal→final run. @Image2=CHARACTER+WARDROBE ONLY: preserve exact person/face/proportions/hair/skin/body/clothing/accessories; ignore reference environment/light/composition. Same person throughout; add/preserve ONE elegant dark thin-frame cinematic sunglasses pair; never alter identity/create second pair. Glasses stay normally worn, physically consistent and cover both eyes from first appearance to END. NEVER lower/raise/remove/slide/tilt. ONE tiny bridge/temple adjustment allowed; eyes stay covered. EYES NEVER VISIBLE. @Image3=SIDEWALK PAVING/TILE ONLY: match paving around car: tile scale/proportions/pattern/spacing/orientation/texture/joints/tonal variation/wear. Integrate naturally, never pasted. CREATE ONE 12s EXTREMELY PHOTOREALISTIC CINEMATIC FILM. SHOT1 0.0–8.8s=car sequence; ~8.8s HARD CUT. SHOT2 8.8–12.0s=separate waist-up running shot/new camera. NO POLICE/POLICE CARS/SIRENS/PURSUERS/CHASE in Shot2. WORLD/CAMERA Location: REPUBLIC OF DAGESTAN, MAKHACHKALA, 2 BUYNAKSKOGO STREET. Premium dark sedan by sidewalk. Environment must read as real Makhachkala; no incompatible American architecture/details. Visible sidewalk=@Image3. Interior: tactile black leather, natural wrinkles/seams/wear/reflections. SHOT1 camera ABSOLUTELY LOCKED INSIDE car at seated-passenger chest height, across rear seat toward one large CLOSED side window; ~35mm spherical lens. Rear seat lower/middle; window center/upper. Outside: believable address + @Image3 paving. Place @Image1 naturally on rear seat near window, visible to camera/passerby and reachable after glass breaks. Correct perspective/weight/leather contact/shadows/reflected light. No floating/composited/pasted-studio look. LIGHT/FILM Late afternoon; warm sunlight through side window. Exterior brighter with retained highlights; interior darker/richer with readable shadows; warm patch on seat/PRODUCT; natural modelling on character. Reflections remain until break. Theatrical crime-comedy, late-1960s/early-1970s 35mm: warm photochemical response, warm natural skin, creamy highlights, restrained saturation, amber/brown undertones, deep blacks with shadow detail, smooth roll-off, fine organic grain, subtle halation/bloom, soft micro-contrast, vintage spherical rendering, edge softness, realistic depth/focus falloff, restrained DOF, 24fps blur. Genuinely photographed. No glossy/HDR/sterile digital/plastic-skin look. EXACT same color science/film texture/realism both shots. ACTING—HIGHEST PRIORITY Character acts human, not like AI. Restrained/psychologically motivated/physically believable. THOUGHT PRECEDES ACTION; CAUSE PRECEDES EFFECT. Reaction: ATTENTION behind dark glasses→tiny pause→HEAD→tiny pause→BODY. Since eyes hidden, attention reads through head angle/posture/body. Actions have readable beginning/middle/end. Natural pauses/breathing/acceleration/deceleration/inertia/weight transfer/center of gravity/anatomy. Emotion via subtle breathing/facial change/hesitation/posture. No twitching/jerks/robotic transitions/unnecessary hand movement/exaggerated comedy; absurd situation played seriously. 0.0–0.5 QUIET OPENING Inside parked car; camera locked. PRODUCT on black leather rear seat. Warm light through closed window; outside address+@Image3 paving. Quiet observational hold. No character/camera movement. 0.5–1.5 WALK/NOTICE/STEP BACK @Image2 enters outside RIGHT, walks naturally LEFT, dark glasses already fully cover eyes. Almost passes; PRODUCT catches peripheral attention. STOP. Attention first→pause→head slowly follows→pause→ONE natural step backward RIGHT into window composition. Stop; body settles; attention on PRODUCT; subtle neutral→intrigued shift. No exaggerated surprise/head snap; eyes hidden. 1.5–3.0 APPROACH/GLASS/SUNGLASSES Approach; BOTH HANDS on exterior glass; lean face very close/almost pressed, then STILL. Study PRODUCT only. PRODUCT below eye level; chin/head subtly down toward its exact position. No camera-facing/upward/wandering attention. Hold beat. ONE hand makes ONE tiny adjustment at bridge/temple. NEVER lower/lift/remove/slide/tilt glasses; lenses remain over eyes. Head nearly still; attention remains PRODUCT; hand returns/relaxes. EYES NEVER VISIBLE. 3.0–4.0 STEP BACK/CHECK/DECISION Push away; half-step back; settle/pause. Attention leaves PRODUCT. Calmly check RIGHT→pause→LEFT. Allow ONE small nervous adjustment of EXISTING @Image2 clothing only; invent nothing/do not repeat. Tiny decision beat; posture firms; audience understands decision before action. 4.0–5.0 PREPARE Both hands EMPTY. NO STONE/ROCK/TOOL/OBJECT. Designate empty BARE BREAK HAND; OPPOSITE hand wearing WATCH=PRODUCT HAND; roles remain consistent. WATCH HAND MUST later take @Image1. Restrained preparation beat; no exaggerated wind-up or technical/instructional break detail. 5.0–6.0 BARE-HAND GLASS BREAK Brief decisive movement of EMPTY BARE BREAK HAND toward side window; no object. Glass breaks fast with believable cause→effect; reflections disappear only where broken. No graphic injury/blood/gore/slow-motion spectacle. Camera locked. PRODUCT stationary: no jump/slide/float/transform/scale change. 6.0–7.2 REACH/GRAB Refocus on PRODUCT. WATCH/PRODUCT HAND reaches naturally through opening to actual box position. MANDATORY: grab @Image1 WITH WATCH HAND. No teleport/snapping/clipping/passing through solids. Fingers contact/secure grip; ONLY then PRODUCT moves. Preserve exact @Image1 shape/scale/packaging/branding/logo/typography/colors/details. Never redesign/enlarge/shrink/replace/alter. Believable weight/inertia. 7.2–8.8 REMOVE/LEAVE WATCH HAND pulls PRODUCT through opening, no clipping. Secure burger box and move away; PRODUCT stays primary object. Sunglasses fully cover eyes. Maintain acting/weight/light/Makhachkala/@Image3 paving/35mm texture. ~8.8s HARD CUT. SHOT2 8.8–12.0 FINAL RUN Completely new camera setup. NO POLICE/CARS/UNIFORMS/LIGHTS/SIRENS/PURSUERS/CHASE; nobody follows. Character simply runs with exact @Image1 burger box. Frame ~WAIST-UP, forward-moving cinematic shot; natural inertia/shoulders/breathing/rhythm; no exaggerated sprint/slapstick/panic. Hold BURGER BOX at CHEST LEVEL, clearly readable, not hidden by arms, believable scale, unchanged packaging. Logo side progressively faces camera. Sunglasses stay correctly positioned; character does NOT touch/lower/raise them; EYES NEVER VISIBLE. FINAL CAMERA MOVE—LOGO PUSH-IN Final: camera smoothly PUSHES IN to branded face/logo while character continues running/holding naturally. PRODUCT grows in frame ONLY because camera approaches, never scale change. Correct perspective; stable/readable box. Preserve exact @Image1 logo/typography/packaging; no redraw/distortion/extra text. FINAL MOMENT: camera finishes directly on PRODUCT LOGO, dominant in frame; end on recognizable @Image1 branding. CONTINUITY/NEGATIVES Same @Image2 character/wardrobe/sunglasses/watch and @Image1 PRODUCT throughout; WATCH HAND takes PRODUCT; eyes never visible. No stone/tool, police/pursuit/random extras, product/packaging/logo/typography/scale changes, floating/morphing/teleporting/clipping, hand-object intersections, broken anatomy, extra fingers, duplicated hands/PRODUCT, Shot1 camera shake, HDR/CGI/plastic skin, film/color inconsistency, pasted paving or American street details contradicting Makhachkala. Final: coherent, photorealistic, physically believable 12s theatrical 35mm sequence. no music