SEEDANCE 2.5 — TMD PHARMACY: MAX AND JESS FORMAT: Vertical 9:16,…

SEEDANCE 2.5 — TMD PHARMACY: MAX AND JESS FORMAT: Vertical 9:16, EXACTLY 30 seconds, SIX cinematic shots with natural editorial cuts, native synchronized audio, 24 fps. High-end photorealistic documentary, not a single unbroken camera take. REFERENCES — STRICT: @Image1 — MAX: Exact facial features, hair, skin, age, body, clothing. NO GLASSES, NO BEARD; clean-shaven in every shot. @Image2 — TMD MAIN INTERIOR: Real view from entrance; overall room geometry, reception area and furniture. @Image3 — TMD DESK: Real close-up; reception counter, timber slat wall, plants, lights and materials. @Image4 — TMD ENTRANCE: Real glass doors, waiting seats, plants, entrance arrangement and outdoor view. @Image5 — JESS: Exact face, hair, skin, proportions, uniform and badge of 35-year-old Australian receptionist. @Image6 — COFFEE: Exactly TWO identical unbranded plain kraft-brown paper takeaway cups, same size and height, matching blank matte-black lids, in ONE beige moulded-pulp two-cup carrier. No text or graphics on cups or lids. @Audio1 — MAX'S VOICE: Exact mature Australian voice, warmth, slight gravel, pitch and delivery. @Image2–4 show the SAME real pharmacy from different angles. Preserve geometry, furniture positions and identities across cuts. CHARACTERS AND PROPS: Max, 65, Australian, friendly, clean-shaven, no eyewear, dry humour; looks exactly like @Image1. He enters holding ONE brown paper bakery bag with sourdough and @Image6 carrier holding TWO coffees. Jess, 35, Australian receptionist, lively and quick-witted; exact look and work uniform from @Image5, badge unreadable. Only Max and Jess appear INSIDE. PLACE AND TIME: Trichome Medicinal Dispensary, Hardgrave Road, West End, Brisbane. Saturday 11:30 AM, during opening hours. Real front reception only: tiled floor, stone counter, timber-slat wall, curved pendant, waiting chairs, plants, glass entry, as in @Image2–4. LIVING STREET OUTSIDE: Beyond glass: real Saturday Brisbane street life, pedestrians naturally walking both ways on footpaths, occasional passersby and cars moving on the LEFT side of the road (right-hand-drive vehicles). Authentic speeds, spacing, parallax, sunlight and glass reflections. People stay outside. Activity continues whenever visible, without frozen loops or cloning; subdued and secondary to actors. Street sounds muffled through closed glazing. SIX SHOTS, EXACT TIMING: SHOT 1 / 0–4s — ENTRANCE: Medium-wide angle from inside toward glass entry, Jess also visible at counter. Glass sliding entrance opens without Max using his occupied hands; subtle entry chime. Max enters holding bag and TWO-cup carrier; live pedestrians and left-side traffic behind glass. Jess looks up, smiling. JESS: "Max! Welcome to Trichome!" Max smiles silently; no speaking mouth movement. SHOT 2 / 4–8s — PLANTS AND PROPS: CUT to medium three-quarter view of desk, Jess and Max. Jess gestures to real plants: JESS: "The plants? Real. I water them myself. Mostly." Max places bag and WHOLE TWO-CUP CARRIER on reachable customer-side counter, cups upright. He releases both; HANDS EMPTY. Props remain there. SHOT 3 / 8–12s — HIGH-FIVE: CUT to waist-up TWO-SHOT. Jess walks around actual open end of desk on feasible path; they give ONE high-five with visible palm contact. Max's hands empty; props stay on desk. Max says: MAX: "G'day, Jess! Do you ever get a day off?" Jess only smiles, no lip-sync. SHOT 4 / 12–19s — OPENING HOURS: CUT to medium TWO-SHOT favoring Jess, Max listening, eyelines and screen positions consistent. Jess replies playfully: JESS: "We're open daily. Nine-thirty weekdays, eleven weekends. And yes, we answer the phone." Max listens silently, relaxed. SHOT 5 / 19–24s — COFFEE HANDOFF: CUT to diagonal medium-close TWO-SHOT with both faces, hands and @Image6 carrier on desk. Jess: JESS: "How are you, Max?" MAX: "Great! Brought you a coffee." Max lifts ONE cup; SECOND remains in carrier. He offers cup, STILL HOLDING until Jess securely grips it. BOTH hold SAME cup briefly; THEN Max releases. Cup stays upright, lid attached. No clipped hands, duplications or floating props. SHOT 6 / 24–30s — PHONE AND FAREWELL: CUT to medium on Jess, Max and real desk phone. Phone rings for FIRST time. Jess holds coffee, glances at phone, smiles and turns to desk: JESS: "That's the phone! Lovely seeing you, Max. See you soon!" Max nods silently; last second holds without words. Bag, carrier and SECOND cup stay on desk. CAMERA DIRECTION — CRITICAL: This is ONE 30-second generation containing SIX distinct cinematic shots with natural editorial cuts. The camera MUST change framing and viewing angle between shots. Do not keep the camera pointed at the entrance throughout the video. Begin facing the glass entrance, then alternate naturally between the reception counter, Jess, Max, their two-shot interactions and the coffee handoff. Use physically plausible camera positions based on the real pharmacy reference photos. Every shot has subtle human-operated handheld movement. Maintain consistent spatial geography, screen direction and natural continuity. Keep the entrance visible when composition naturally allows it, but never force it into every shot. Shot 1 favors the entrance; shots 2 and 4 favor reception; shot 3 favors body interaction; shot 5 favors hands and coffee; shot 6 favors Jess and phone. Make cuts intentional; no random angles or 180-degree-axis flips. Keep the same side of the counter as spatial reference; objects remain at the same coordinates even when angles change. Do not invent impossible views or teleport the operator through walls. Preserve stable background furniture positions and left/right character relationships. CINEMATOGRAPHY: Sony FX3, Sony FE 50mm f/1.4 GM, 24 fps, 180° shutter (~1/48s), natural blur. Gentle handheld breathing sway and operator inertia; no zoom, robotic gimbal, whip-pan or shaking. Natural 50mm perspective; faces sharp, background softly legible. Hands visible during high-five and cup transfer. PHOTOGRAPHIC LOOK: Warm restrained 1990s documentary grade: fine organic grain, faint haze, soft highlight roll-off, raised blacks, mild optical softness. Real sunlight through entrance, directional shadows, believable glass reflections. Preserve skin pores, wrinkles, natural hairs, fabric, kraft fibres and worn surfaces. No plastic skin, HDR, CGI sheen, oversharpening or orange wash; continuous lighting across cuts. SPEECH / AUDIO: @Audio1: Max's exact warm, slightly gravelly mature Australian voice and dry humour. Jess: bright, friendly Australian female voice, quick but intelligible; natural conversational stress, small pauses, no rushed or robotic delivery. Exact quoted dialogue ONLY, precise lip-sync ONLY by active speaker; no invented lines or voiceover. Native sounds: chime, room tone, footsteps, high-five, cup handling, muffled traffic; phone ONLY in Shot 6. No music. HARD RULES: EXACTLY 30s, SIX edited shots. Max NO glasses/beard; Jess matches @Image5. Only two people INSIDE; others OUTSIDE. Exact real architecture. @Image6: TWO identical blank kraft cups, black lids, one carrier. Bag and carrier on desk BEFORE high-five; hands empty. Transfer ONE cup only after Jess grips; other stays. Real physics; no bad fingers, duplicate/disappearing props or identity drift. No captions, readable signs, badge text, logos, medicines, prescription items or active screens. If reference photographs contain lettering, do not create or highlight new readable signage. Never change the architecture to hide such details.