rooftop scene reference: skyscraper rooftop at dusk, destroyed drones…

@Image1 — rooftop scene reference: skyscraper rooftop at dusk, destroyed drones smoking on concrete, city lights far below, antenna rigs, golden-orange sunset sky. Use this as the exact location and lighting for all shots. @Image2 — character face and body reference: athletic man, dark hair in bun, thick beard, cross necklace, dark tactical clothing, tattooed forearms. Keep his exact face and appearance in every shot. Do not alter his identity. HOW TO READ REFERENCES: @Image2 is provided in a drawn/sketched/pencil form ONLY as input. Before generating, internally CONVERT this drawn reference into a real professional studio PHOTOGRAPH — totally preserving the exact identity, face and features of the man, but rendering him as a real photographed human. Discard the drawn style completely. CRITICAL STYLE: 100% photorealistic live-action cinematic footage, shot on ARRI Alexa with anamorphic lenses, real human skin with pores and texture, 35mm film grain, shallow depth of field, blockbuster action aesthetic. ZERO drawn, sketched, or illustrated look. Real photography only. --- SHOT 1 — CLOSE-UP: THE MAN SPOTS THE FLASH DRIVE The man from @Image2 is mid-sprint across the rooftop from @Image1 — smoking drone wreckage around him, fires flickering. He plants his foot hard and SKIDS to a dead stop, momentum absorbed in a single brutal halt. His eyes drop downward. Slow-motion: his chest heaves once, jaw tightens, pupils lock onto something on the ground below frame. His expression shifts — recognition, urgency, disbelief — eyes wide, breath held. A beat of absolute stillness against the burning dusk sky. Camera: tight close-up on his face, handheld subtle breathing motion, holds locked on his eyes as they fix downward. Sound: running footsteps cut to silence, skidding scrape of boots on concrete, wind across the rooftop, a single low ominous tone rising. --- SHOT 2 — LOW ANGLE REVEAL: THE FLASH DRIVE, THEN THE DRONE [HARD CUT — direct cut, no zoom, no camera move between shots] Extreme low angle, camera at concrete level. A small black USB flash drive lies among shattered drone fragments, sparking wires, and smoldering debris — a tiny object amid the wreckage, catching the last orange light of the sunset. Shallow depth of field: the flash drive razor-sharp in the foreground, everything behind it softly blurred. Camera begins at ground level on the flash drive, then slowly tilts upward — past the debris field, past the smoking drone wreckage — rising to reveal a single surviving angular combat drone hovering silently in the mid-ground, its red targeting eye already locked downward onto the flash drive. The drone's red sensor pulses once. It has seen it. Sound: low electrical hum of the hovering drone, wind, distant city noise far below, a sharp electronic PING as the drone's sensor locks on. --- SHOT 3 — ROBOT POV: THERMAL TARGETING OVERLAY [HARD CUT — direct cut, no zoom, no camera move between shots] Full robot point-of-view shot. The entire frame is rendered as a drone's tactical vision system: dark background overlaid with a vivid thermal imaging layer — heat signatures glowing in orange-white, cool surfaces deep blue-purple. HUD elements fill the frame: target reticle locking onto the flash drive on the ground, distance readout counting down in meters, threat classification tags, motion prediction vectors as green trajectory lines. The man from @Image2 appears as a bright white-orange thermal silhouette — his body heat blazing against the cool rooftop. The HUD stamps him: THREAT — INTERCEPT PRIORITY 1. In the thermal view he surges forward into a full sprint directly toward the flash drive, closing distance fast. The drone's reticle tracks him, red lock indicator flashing. A second targeting reticle splits off and locks the flash drive simultaneously. Two targets. One moment. The drone calculates. Sound: cold electronic processing tones, HUD beeps and lock-on chirps, the man's boots pounding concrete heard through the drone's audio sensors — muffled and clinical, a rising synthetic alarm tone as INTERCEPT is confirmed.