SEEDANCE 2.5 — TMD PHARMACY: MAX AND JESS FORMAT: Vertical 9:16,…

SEEDANCE 2.5 — TMD PHARMACY: MAX AND JESS FORMAT: Vertical 9:16, exactly 30 seconds, 24 fps, SIX distinct cinematic shots with clean cuts and synchronized English dialogue. Photorealistic documentary. REFERENCES — STRICT: @Image1 — MAX: exact face, hair, age, skin, build and clothing. Max is 65, Australian, friendly, clean-shaven, NO glasses or beard throughout. @Image2 — MAIN INTERIOR: actual pharmacy layout and furniture. @Image3 — RECEPTION: actual counter, timber slat wall, plants, lights and materials. @Image4 — ENTRANCE: actual glass doors, waiting area and outdoor view. Images 2–4 depict ONE real room; preserve their shared geometry. @Image5 — JESS: exact face, hair, proportions and complete work uniform of the 35-year-old Australian receptionist. Keep the badge visually consistent but its small text unreadable. @Image6 — COFFEE: exact carrier and TWO identical kraft-brown takeaway cups with matching matte-black lids. Match the reference carrier's construction, cup size, colour and proportions. Both cups and lids are completely unbranded. @Image7 — APPROVED PHARMACY LOGO: exact emblem, wording, typography, colours and proportions for the entrance glass. This logo MUST appear on the entrance glazing. Use restrained, fixed signage positions; no repeated rows or decorative tiling. Respect glass perspective and pane movement. Never copy this logo onto the bakery bag, cups or carrier. @Audio1 — MAX'S VOICE: exact mature Australian voice, warm, slightly gravelly, with the reference pitch, accent and delivery. LOCATION: Trichome Medicinal Dispensary, Hardgrave Road, West End, Brisbane. Saturday, 11:30 AM. Use the real front reception in Images 2–4. Only Max and Jess are inside. Outside: natural pedestrians and occasional left-side traffic, believable parallax and reflections; no clones or frozen movement. Street sounds are muffled through glass. FIXED POSITIONS AND PROPS: Jess remains BEHIND the counter, on the STAFF side, for the ENTIRE video. She never walks around its end, crosses it or appears beside Max on the customer side. Max remains on the CUSTOMER side. They can comfortably reach across the real counter without distorted arms or excessive leaning. Max enters carrying ONE bakery bag in his RIGHT hand and the complete @Image6 carrier with TWO coffees in his LEFT hand. Do not exchange hands before the props are set down. The bakery bag is plain, unprinted brown kraft paper containing sourdough: NO letters, words, logo, leaf, emblem, label, stamp, pattern or graphics on ANY side. Its handles, size and shape remain consistent. Place both props on a clear, reachable customer-side counter section, leaving room for the high-five. Then keep their positions fixed across cuts. SIX SHOTS — EXACT TIMING: SHOT 1 / 0–4s — ENTERING: Medium-wide view from inside toward the real glass entrance. The @Image7 pharmacy logo is visible on the glazing. The automatic sliding door opens without Max using his occupied hands. Subtle entrance chime. Max enters and walks toward Jess, who is visible behind reception. Show the plain bag in his right hand and the two-coffee carrier in his left. Both stay in his hands through the LAST frame of this shot. JESS: "Max! Welcome to Trichome!" Max smiles silently. SHOT 2 / 4–8s — SET DOWN BOTH ITEMS: CUT to a medium three-quarter view from the customer side. Match the previous action: Max still holds BOTH items in their original hands. Keep both hands, the bag, carrier and landing area visible in ONE uninterrupted shot. First, Max raises and lowers the bag with his RIGHT hand until its base visibly contacts the counter. He releases the handles; the bag stays upright. THEN, with his LEFT hand, he lowers the WHOLE carrier until its base visibly rests on the counter. Both cups remain upright inside. He releases the carrier. By the end, BOTH hands are empty. Show each placement completely; no cut, obstruction or skipped contact during either action. Meanwhile, Jess gestures briefly toward the real plants from behind the counter: JESS: "The plants? Real. I water them myself. Mostly." SHOT 3 / 8–12s — HIGH-FIVE ACROSS THE COUNTER: CUT to a waist-up two-shot, keeping the same screen sides. Max stays on the customer side; Jess stays behind the counter. Both props rest untouched on the counter. They raise their empty RIGHT hands and give ONE high-five over a clear counter section. Show palms meeting and separating naturally. Neither person crosses the counter. MAX: "G'day, Jess! Do you ever get a day off?" Jess smiles without speaking lip movement. SHOT 4 / 12–19s — OPENING HOURS: CUT to a medium two-shot favouring Jess. She is STILL behind the SAME counter; Max remains in his established customer-side position. JESS: "We're open daily. Nine-thirty weekdays, eleven weekends. And yes, we answer the phone." Max listens silently. SHOT 5 / 19–24s — ONE COFFEE HANDOFF: CUT to a diagonal medium-close two-shot showing both faces, hands and the carrier on the counter. JESS: "How are you, Max?" MAX: "Great! Brought you a coffee." Max uses his RIGHT hand to grip and lift ONE cup vertically out of the stationary carrier. The SECOND cup stays inside it. He offers the lifted cup across the counter. Jess wraps her LEFT hand securely around that SAME cup. Both briefly hold it together. ONLY THEN does Max release and withdraw his right hand. The cup stays upright with its lid attached. Jess finishes holding the coffee in her LEFT hand; her RIGHT hand is free. Show the entire transfer without an intervening cut. SHOT 6 / 24–30s — PHONE AND FAREWELL: CUT to a medium two-shot including the real desk phone within Jess's reach on the STAFF side. She remains behind reception with coffee in her LEFT hand. Bag, carrier and second cup remain in their established places. The desk phone rings for the FIRST time, only in this shot. Jess glances at it, then addresses Max: JESS: "That's the phone! Lovely seeing you, Max. See you soon!" After finishing the line, she reaches with her free RIGHT hand, grips the handset and visibly lifts it from its cradle to her ear. Complete the pickup by 29s. The phone base stays on the desk; the handset and cord behave naturally. Ringing stops when the handset is lifted. She keeps the coffee upright in her left hand and stays behind the counter. Max smiles and nods silently. Hold 29–30s without speech. No added telephone greeting or caller dialogue. CAMERA AND LOOK: Six different framings; cuts at 4, 8, 12, 19 and 24s. After the entrance shot, establish Max screen LEFT and Jess screen RIGHT throughout shots 2–6. Keep the camera on the same side of the conversation axis; no reverse-angle flips or mirrored shots. Use plausible customer-side angles; never film through walls. Match poses and props across cuts. Sony FX3, Sony FE 50mm f/1.4 GM lens, 24 fps, 180-degree shutter (~1/48s). Subtle handheld sway; no zoom, whip-pan or robotic motion. Faces and hands stay readable. Restrained warm 1990s documentary grade, fine grain, soft highlights, real skin and material textures. Stable light and reflections; no plastic faces, CGI sheen or orange wash. AUDIO AND FINAL RULES: Speak ONLY the quoted ENGLISH dialogue, in the assigned voices. Jess has a friendly natural Australian voice. Precise lip-sync only for the active speaker, conversational pace and intelligible words. Native room tone, footsteps, entrance chime, single high-five contact, subtle prop handling and final phone ring. No music, voiceover, extra voices or repeated lines. The @Image7 logo on the entrance glass is intentional and required. Preserve referenced uniform details, but invent no other branding. Bag, cups and carrier remain blank. No captions, added readable posters, pseudo-writing, QR graphics or active screens; monitors are off. No medicines or prescription products. Preserve real architecture, two people inside, two cups total, exact identities and natural hands. No floating objects, disappearing props or skipped actions.